[ANC Mornings] One Weekend Book Project in Manila, Clara Balaguer – Founder, Office of Culture talks about the One Weekend Book Project in Manila

GMA News Online
One Weekend Book series comes to Manila 

Published April 12, 2012 4:27pm 

The Office of Culture and Design (OCD) brings to Manila The One Weekend Book Series, an ongoing editorial project of Barcelona-based design studio Two Points.Net managed by Martin Lorenz and Lupi Asensio. The book project series intends to produce its 11th volume in Manila. It will also include the free workshop ”How To Make a Book in Five Days Without Using Your Computer” on April 19-21. For this particular project, TwoPoints will be working with Jumbo Ranises,a local sign painter who occasionally paints The OCD’s signage, project IDs and logos. Ranises will be the official illustrator of the book. This will be their first time to work with a local artisan. This unconventional publishing practice, also called graphic tourism, has been going on since 2003 and is a mix of publishing, reportage, and creative exercise. TwoPoints usually works with an established illustrator who is native to the city it is visiting. The process includes Martin and a guest artist who are given 48 hours to experience the city, document, and create a visual diary without the use of computers. The result is a re-telling of cultural rediscovery, then graphically digested in the pages of a book. Interestingly, the One Weekend Book Series reports on places and situations unmentioned in cityguides. On the other hand it gives an exhibitionistic view of the personal state of the reporters. In trying to figure out a city, in this case, they are mostly concerned with creating a book. Meanwhile, the book-making workshop will include local artists, graphic designers, design professionals, and students. The collaboration is designed to share this unique and creative editorial/publishing process from the combined wisdom of Asensio and Lorenz. According to the organizers, hopefully it becomes an opportunity to engage local artists to look into alternative platforms and means of publishing. On April 22, ending the project will be a conference entitled “ Common Threads: A Sunday afternoon of books and sounds” which will be attended by the local art and design community. It will end with a poetry reading-performance art event with Lourd de Veyra, Miko Pepito, and Lobregat Balaguer, among others. Second-hand books may also be bought at an informal flea market in The Collective’s open-air patio. The sponsors for this event are Dakila and the Embassy of Spain/AECID, with the support of Kanto Artists Run Space, Yadu, and Ritual General Store. – Press release from Kanto Artists Run Space

YOUNG STAR
#37: Manila in 48 pages

EXISTENTIAL BLABBER – Kara Ortiga – 
May 18, 2012 | 12:00am

If you were given 48 hours to get to know a new city — eat their food, get lost in translation, inebriate in their local alcohol, stumble in their streets — how would you retell your story? For Martin Lorenz and Lupi Asensio, founders of Barcelona-based design group Twopoints.net, the experience is encapsulated in a 48-page handmade book.

The One Weekend Book Series is a travel book project wherein, for each issue, Martin and a guest artist are given 48 hours to experience a city, document it and create a handcrafted visual diary about their experience. The result is a narrative of cultural rediscovery from a very subjective point of view, definitely not something you would find in your usual travelogue. While the books aim to retell the charm, quirks and personality of the city they are visiting, it is also a journey of self-discovery from the artists of the book themselves.

Manila was the destination for Martin and Lupi to create the 11th volume of their series. Along with The Office of Culture and Design, they worked with local sign painter, Jumbo Ranises, in trying to capture the city of Manila within 48 pages. Martin shares with Young STAR how The One Weekend Book Project came to be.

The weekend project. “I was living in Frankfurt in 2003. I only had the weekend free to do things outside of my regular job, and I really felt that I had to do some personal work. I called my friend up and said, ‘Look, I don’t really know what we’re going to end up doing this weekend, but I have the name for the project we’re going to do this weekend.’

“This project is about breaking away from the stagnation caused by ‘knowing it all.’ What started as a fun project with a friend became a vital source of keeping creativity alive by being open to inspiration, wherever, whenever and from whomever it comes.”

48 Hours. “We usually arrive on a Friday, and we use that day to walk around and do research. We like to look at packaging of local products, fliers, posters, signage or any other thing that inspires us.

“Friday is the day for us to collect things. Then on Saturday we sit down and just create pieces, we draw or paint or do collages or whatever. On Sunday we edit the images we have created. It’s also about organizing all the pages in a narrative fashion so that the story of our weekend in the city is told correctly, with the right ups and downs, with the right tension.”

The experience. “Normally, we try not to expect or look for anything fixed in each city. It’s about allowing yourself to be guided by the experience you have there, not about reaching a certain target or goal. We try to tell our story of how we experienced that particular city at that particular moment. The same project done in the same city on a different weekend would produce an entirely different book. It’s about our subjective moment and how that moment inspires us.”

Warming up. “In the beginning, when you get to a city, you’re just starting to get to know your collaborator and it’s all a bit weird and sometimes uncomfortable. You start working not knowing really what you’re doing or why you’re doing it. “And then all of a sudden, there comes a moment where you realize that there is a direction to what you’re producing. You realize that what you’re doing makes sense. The collaboration with the other person all of a sudden seems unified. And then you don’t know where your work begins and the other person’s work ends. That’s when you know you’re on the right track.”

The Filipino sign maker. “It’s been interesting to talk to Jumbo about Filipino typefaces and why they are so different. He’s learned from doing, and from doing so completely manually. Jumbo is also the first guy we’ve worked with that is not an established illustrator, designer or artist, so it’s a really relaxed atmosphere with him. Plus he’s a very patient guy. Jumbo is really easy to be around.”

Pack-up. “Our heads aren’t yet thinking about where the next One Weekend Book will be.

“We’ll just go with the flow I suppose, and see where life and inspiration takes us next. We did get an e-mail a few days ago to do a One Weekend Book in Romblon, though, which was surprising. Too bad we don’t have enough time on this trip. Maybe next year?”